Monday, December 18, 2023

Pan and Syrinx

  

Anonymous (mid 16th C.)
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Taddeo Zuccari (1565)
.


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Willem van Nieulandt II after Paul Bril (ca. 1602)
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Adam Elsheimer (ca. 1605)
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Hendrick van Balen the Elder (1615)
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Peter Paul Rubens and Jan Bruegel the Elder (1618)
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Jacob Jordaens (ca. 1620)
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Nicolas Poussin (1637)
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.


Willem de Heusch (ca. 1650)
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Pierre Mignard (mid 17th C.)
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School of Jacob Jordaens (mid 17th C.)
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Venetian School (mid 17th C.)
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Michel Dorigny (1657)
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Toussaint Gelton (2nd half 17th C.)
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Federico Cervelli (2nd half 17th C.)
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Jan Janss (ca. 1680)
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Ignaz Elhafen (ca. 1690)
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Louis Dorigny (around 1700)
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Jacob Toorenvliet (1701)
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Henri-Simon Thomassin after Louis de Silvestre (1715)
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Noel-Nicolas Coypel (1723)
.


.


Cornelis Pronk (18th C.)
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Francois Boucher (1743)
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Jean-Baptiste-Marie Pierre (1746)
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Charles-André van Loo (mid 18th C.)
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Charles Varin after Maerten de Vos (1787)
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Gilles-Lambert Godecharle (1804)
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Anne-Louis Girodet-Trioson (1826)
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Jean-Baptiste Regnault (1828)
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Abel Ledoux (1836)
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Arnold Böcklin (late 19th C.)
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.


Venny Soldan-Brofeldt (1910s)
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Carroll Beckwith after Simon Mazière (1913)
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Johannes Jurres (early 20th C.)
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Theo Tobiasee (late 20th C.)
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Antonella Vocale (2000s)
.


Carlo Alberto Palumbo (2003)
.


Keight MacLean after Louis Dorigny (2016)
.

-
A wood nymph - being persued by the god Pan, she fled into a river and transformed into a reed from which Pan made his panpipes
.

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